Stainless Steel Lobster Buckle Production Process

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Stainless steel lobster buckle production process

Mold making

According to the design of the lobster clasp, make the mold. The mold is usually made of steel or aluminum alloy with the shape and size of the lobster clasp.

Stamping molding

Stainless steel sheet is placed in the mold, and then a stamping press is used to apply pressure to the stainless steel sheet to deform and form it into the shape of a lobster clasp.

Trimming and Chamfering

Remove the stamped lobster clasp from the mold and remove excess metal burrs and sharp edges.

Welding

The two halves of the lobster clasp are welded together to form a complete lobster clasp. Welding is usually done using laser welding or resistance welding.

Heat Treatment

Heat treatment, such as hardening and tempering, is applied to lobster clasps to improve their strength and toughness.

Surface treatment

Surface treatments such as polishing, plating or painting are applied to lobster clasps to improve their aesthetics and corrosion resistance.

 6. surface treatment

Surface treatments such as polishing, plating or painting are applied to lobster clasps to improve their aesthetics and corrosion resistance.

7. Assembly

Assemble the two halves of the lobster clasp together and install the spring and lever

8. Testing and packaging

Conduct quality inspection on the lobster clasp to ensure that it meets the design requirements and standards. Qualified lobster clasps will be packaged and shipped.

Auteur

  • Fondateur de Haosen Fashion Jewelry, à la tête de la conception et de la production

    Ertian Jiang (Jasper) est le fondateur de Haosen Metal Jewelry. Depuis ses débuts à 26 ans, il associe un solide savoir-faire artisanal à une compréhension fine du marché, deux piliers sur lesquels repose l’excellence de l’entreprise.

    Ertian Jiang a commencé comme artisan, spécialisé dans les pierres semi-précieuses (agate, nacre et œil-de-tigre) et l’incrustation manuelle. Il a perfectionné la pose de pierres naturelles sur des supports métalliques, sans jeu ni défaillance de la colle. Son expérience directe de la vente lui a également permis d’échanger avec les acheteurs et de comprendre leurs difficultés face aux pierres qui se détachent et aux couleurs qui s’altèrent.

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